10 Additive Colors Mixtures and How They Work

By Sharon R. Lee


If you’ve ever seen a rainbow or watched paint dry, then you know that color isn’t just about what we see. It also has to do with how we see it and why some colors work together while others don't.

Additive color mixtures are a simple way to create and understand color, but they can be applied in complex ways that predict how different colors will interact with each other in real life situations from mixing paints on your palette to blending colored light from light sources like the sun or LED bulbs.

The one thing to remember about color is that it is always relative.

The one thing to remember about color is that it is always relative.

Color, as we know it, is a product of our brain and eyes working together to process the light that hits our retinas and transmit information back to the brain.

We experience this process differently based on the colors around us, especially when they are in close proximity to one another.

The relationships between colors are important when you're working with color.

Color is a powerful tool that can be used to convey ideas, emotions and moods. Color can create a feeling of warmth or coldness. It can also make you feel happy or calm.

Color is a visual language: when you use color to express yourself, you are talking with images instead of words. For example, let's say you want someone to feel safe when they visit your website or app you might choose green for the background because it has been associated with peace and tranquility for centuries (green is the color of leaves).

Or maybe you're trying to convey excitement about an upcoming sale; in this case red could help convey energy and enthusiasm because it's commonly associated with passion and excitement (think stop signs).

Color isn't just important in design; it plays an important role in every aspect of life!

Additive color mixtures start with blackness, which is the absence of light.

Black is the absence of light. Absolute black is the complete lack of all light, while relative black is the absence of some light.

When you turn off your lamp and walk into a dark room, you're seeing relative blackness because there's still some light coming in from outside through windows or cracks in the walls. 

You can't see anything at all when there's no light at all entering your eyes so this would be absolute blackness.

Similarly, we can say that white is the presence of all colors equally (or white has no color). But when we talk about adding different colors together to make new ones, we have to think about how much each individual color contributes to making up a new mixture.

If two lights are turned on at once, they might appear as yellow when combined; if three are turned on instead (one red, one green and one blue), you'll get magenta instead!

When you see a rainbow, you’re watching Newton’s experiment in action.

Did you know that light is actually a mixture of colors? It's true. When you look out at the world around you, what you see is the result of light waves combining together to create different hues.

You can think about it like this: when sunlight hits an object, some of it bounces back and gets reflected into your eyes. The rest passes through unobstructed and travels on to reach other objects in your field of vision.

If there aren't any objects in between two points on a line from one object to another (such as between two trees), then all three primary colors (red, green and blue) are present in equal amounts at each point along that line and we perceive these points as white!

There are three primary colors of light from which all other colors are created: red, green and blue.

There are three primary colors of light from which all other colors are created: red, green and blue. The secondary colors that result from mixing two primary lights are cyan (green + blue), magenta (red + blue) and yellow (red + green).

The primary lights were studied in great detail by Sir Isaac Newton in the late 1600s and 17th century. His studies led him to conclude that all elements of color could be created by mixing only these three basic hues.

The secondary colors of light are cyan, magenta and yellow.

Secondary colors are created by mixing two primary colors. In light, the secondary colors are cyan, magenta and yellow. These three colors can only be produced by mixing two primary colors at equal brightness levels.

For example, if you mix red and green light of equal brightness levels, then yellow is produced; if you mix blue and yellow light of equal brightness levels, then cyan is produced; if you mix red and blue light of equal brightness levels then magenta is produced (see Figure 2).

Where the color wheel had two sets of primary colors (red, yellow and blue; cyan, magenta and yellow) with many possible ways to mix those pairs, the light spectrum has just one set of primary colors that operate in harmony.

When constructing a color wheel, you can choose to have one set of primary colors (red, yellow and blue) or two (red, yellow and blue; cyan, magenta and yellow).

The primary colors in light are red, green and blue—and this is where the similarities between the two color wheels end.

The three primary colors in light are called additive because they add together to create new colors in our vision. Mixing all three equally results in white light; adding more red produces more visible light energy while adding less or even none at all makes black.

Red green and blue are the primary colors because they cannot be created by mixing other colors together.

You may have heard the term primary colors before, and you might think that they're just the colors of paint or crayons. But in a scientific sense, primary colors are red, green and blue.

These three colors cannot be created by mixing any other colors together they're the only ones that can be used to create every other color. 

And it's not just human eyes that can see them; every object in the universe reflects light made up of these three wavelengths at different intensities depending on its inherent properties.

So why are red green and blue considered "primary" when there are so many other types? The short answer is that they're our starting point from which we create all other hues by adding orange yellow magenta cyan or white (black).

The secondary colors are unique in light because they can only be created by mixtures of two primaries displayed at equal brightness levels.

Once you understand the basic concept of additive color mixtures, it's time to see how they work in practice. The secondary colors of light are cyan, magenta and yellow.

They are created by mixing two primary colors at equal brightness levels—that is, if you're mixing red and green at full brightness, your resulting color will be a saturated blue-green (cyan).

If you don't have access to an electric mixer or can't figure out how to switch it on properly, then just use a colored pencil instead!

  • Mixing red + green = cyan 2) Mixing blue + yellow = orange 3) Mixing yellow + magenta = red 4) Mixing magenta + cyan = purple 5) Mixing cyan + yellow = green 6) Mixing violet + red=blue 7) Mixing violet+ blue=indigo 8

Additive color mixtures work in predictable ways that we can understand and reproduce for a wide variety of applications

Additive color mixtures work in predictable ways that we can understand and reproduce for a wide variety of applications. For example, if you are a photographer, you might want to know about the additive mixture of red and blue light.

Or, if you are a printer who uses colored inks for commercial printing, knowing about the additive color mixtures will help you prepare your printing plates so that they produce accurate colors on paper or other substrates.

Conclusion

Additive colors are an important part of the color world. They work in predictable ways that we can understand and reproduce for a wide variety of applications.

From painting to design, we rely on our ability to mix colors in new combinations that create different hues and shades while still retaining their original properties.

It’s important to remember that color is always relative and dependent upon its surroundings; by understanding how these relationships work, you’ll be able to do more with them!

Sharon R. Lee

About the author

Hi There! I'm Lee. Welcome to A Pretty Fix, a home DIY blog about making your home colorful, decorating, and helping colors ideas and fun. Here you'll find ideas, tips, and inspiration to live life more colorfully and beautifully. Hope you stick around!

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